This complete overture to the opera Merry Wives shares both Classical clarity and Romantic intensity, and highlights Nicolai’s melodic gifts and his fluent understanding of orchestration techniques.
This is a wonderful Baroque Suite which could be used for many different occasions or gigs.
Changing textures and colors and rhythms give this brass ensemble piece audience appeal.
This brass choir work is based on the opening motive from Nimrod in Elgar’s Enigma Variations.
Frackenpohl wrote this brass and percussion ensemble in celebration of the 30th anniversary of the New York Mets and the 150th anniversary of the New York Philharmonic.
For 7 brass (2 trumpets in Bb, 2 horns, 2 trombones, tuba, optional timpani). An easy and crowd pleasing example of an early overture.
For 3 trumpets in C, 3 trombones. From the vocal Mass Ecce Ego Joannes.
Music for brass ensemble of 2 Bb trumpets, 2 horns, 2 trombones, and 1 tuba.
For ten brass (3 trumpets, 2 horns, 3 trombones, euphonium, tuba). Baroque material in a Romantic setting.
For 13 brass and timpani, this warhorse of Baroque literature sounds terrific with Baldwin’s full brass treatment. D trumpets give the ensemble brilliance.
This concerto grosso is a showcase for the trumpet section, employing two E-flat trumpet parts along with the usual brass choir trumpet section.
For nine brass (3 trumpets, 2 horns, 2 trombones, euphonium, tuba). An absolute marvel of counterpoint; one of the few six voice fugues in existence.
Thirteen excellently written contemporary contrasting vignettes by Arizona composer Kimmell.
For 2 standard brass quintets. Written for The Canadian Brass and friends, this work is very effective when set up antiphonally.
Here’s a stately and energetic opener for full brass section and percussion. For three Bb trumpets, 4 Horns in f, 3 Trombones, 2 Euphoniums, 2 Tubas, Bells, Chimes, Timpani, various percussion.
A superb example of antiphonal writing, this piece was originally a three-choir vocal work with basso continuo.
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